Guardian – The refugee challenge: can you break into Fortress Europe?

Le Guardian
The refugee challenge: can you break into Fortress Europe?
Serious game

As EU governments have made it harder to seek refuge in Europe, the flow of refugees fleeing the world’s most desperate conflicts is increasing. We invite you to make the choices real refugees have to make and find out what it’s really like to look for safety in Fortress Europe.

Your name is Karima. You are a 28-year-old Sunni woman from Aleppo, and you have two children, a girl aged eight, and a 10-year-old boy. Your husband was killed in a mortar attack three months ago. The air strikes have continued – a recent bomb, you hear, killed 87 children – and you now feel you must try to leave Syria.

Many of your friends and family have already fled, most to neighbouring countries where they are in refugee camps; few have travelled into Europe. Only 55,000 Syrian refugees – 2.4 per cent of the total number of people who have fled Syria – have claimed asylum in the EU.

You have some money you could use for your journey – you consider your options.

Play the game

Geography of Hate: Geotagged Hateful Tweets in the United States

Dr. Monica Stephens
The Geography of Hate
Visit the project

The Geography of Hate is part of a larger project by Dr. Monica Stephens of Humboldt State University (HSU) identifying the geographic origins of online hate speech.

The data behind this map is based on every geocoded tweet in the United States from June 2012 – April 2013 containing one of the ‘hate words’.

Not a bug splat

#NotABugSplat
Not a bug splat
Installation
Visit the project

A giant art installation targets predator drone operators. The project is a collaboration of artists who made use of the French artist JR’s ‘Inside Out’ movement.

In military slang, Predator drone operators often refer to kills as ‘bug splats’, since viewing the body through a grainy video image gives the sense of an insect being crushed.

To challenge this insensitivity as well as raise awareness of civilian casualties, an artist collective installed a massive portrait facing up in the heavily bombed Khyber Pukhtoonkhwa region of Pakistan, where drone attacks regularly occur. Now, when viewed by a drone camera, what an operator sees on his screen is not an anonymous dot on the landscape, but an innocent child victim’s face.

Ronald Rael & Virginia San Fratello – Recuerdos : Snow Globes

Ronald Rael & Virginia San Fratello
Recuerdos : Snow Globes
Snow globes, 2000 –
Visit the project

California artists Ronald Rael and Virginia San Fratello have created a series of snow globes that reimagine the fence between Mexico and the United States.

Ronald Rael and Virginia San Fratello created these recuerdos, or souvenirs, to document their travels along the border. They show both the dark and whimsical sides of life en la frontera, or the border.

Forensis, exhibition in Berlin

An art-science exhibition in Berlin
2014, Mar 15, Sat – 2014, May 05, Mon

How do mortal remains, DNA samples, and satellite images become forensic evidence? What role do imaging techniques and methods of representation play in the investigation of crimes or political acts of violence? How are objects made to speak?

Forensis seeks to invert the direction of the forensic gaze and designate the emergence of new aesthetic-political practices by which individuals and independent organisations use new technologies aesthetic practices, and architectural methodologies to bear upon a range of issues from political struggle to violent conflict and climate change.

Toutes les informations sur le site de la HKW

Forensic Architecture and SITU Research, Video-to-space analysis : Bil’In, Image from the 3D virtual model reconstruction of the scene at the moment of the shooting of Bassem Abu Rahma, © Forensic Architecture and Situ Studio

Nathalie Loubeyre – A contre-courant

Nathalie Loubeyre
A contre-courant
Visit the project

Since the mid-1990s, more than 20,000 migrants died in the Mediterranean in their attempt to reach Europe. In July 2012, a Euro-African activist coalition called Boats 4 People charters a boat for a solidarity action in order to monitor the border and denounce those responsible for this situation.

When preparing this project, the need to film this action was evident for all members of Boats 4 People. The coalition contacted Nathalie Loubeyre, director, and Joel Labat, cameraman, who participated in all stages of the Mediterranean crossing. This videographic media is of particular importance for Boats 4 People Besides the desire to share an extraordinary action taken by activists from Africa and Europe, the film aims to raise awareness, mobilize public opinion and continue the struggle for the rights of boat-people.

Julian Oliver and Danja Vasiliev – Newstweek

Julian Oliver and Danja Vasiliev
Newstweek
Visit the project

Newstweek is a device for manipulating news read by other people on wireless hotspots. Built into a small and innocuous wall plug, the Newstweek device appears part of the local infrastructure, allowing writers to remotely edit news read on wireless devices without the awareness of their users.

A new network art project by Julian Oliver and Danja Vasiliev at the boundaries between surveillance and data flows.

Hélène Crouzillat & Laetitia Tura – Les Messagers

Hélène Crouzillat et Laetitia Tura
Les messagers
Documentairy
Visit the project

Migrants die every day, in various places, without the possibility of keeping tracks of it. They disappear in the border. Where are the bodys ?

Les Messagers (The Messengers) are these firsts witnesses, they name the death, they get organised to find a name, a body or build a grave. Holders of the disapeared persons’ remembrance, they fight against the disparition of the human being.

a documentary produced by Marie-Odile Gazin/The Kingdom, in association with Périphérie.

Workshop 10: Topology, Territory and Border Spaces

January 27 & 28, 2014
La Compagnie, Marseille
Maison des Astronomes
IMéRA (Mediterranean Institute for Advanced Research), Marseille

Topology is a branch of mathematics that deals with the properties of objects that are not changed under certain deformations of their shape. Social scientists have been inspired by topology in trying to understand the nature of territorial changes introduced by globalization. However, the relationship between topology and territory is not straightforward, as the former deals primarily with mathematical properties of space while the latter deals primarily with the social aspects of space. This workshop brings together scholars to engage these issues.

Monday, January 27, 2013

La Compagnie, 19 rue Francis de Pressensé, 13001 Marseille

Lauren Martin, Geographer, University of Oulu, Finland
Border Topologies: Law, Territory, and Bodies in US Immigration Enforcement

Christophe Sohn, Geographer, Public Research Center, CEPS, Luxembourg
The border assemblage: A relational approach to bordering

Gabriel Popescu, Geographer, Indiana University & IMeRA
The topological imagination: Territorializing mobile borders?

Alessandro Petti, Architect, Decolonizing Architecture Project, Palestine
Lawless lines

Anne-Laure Amilhat Szary, Geographer, University of Grenoble, France
The mobile border hypothesis

Stephanie Simon, Geographer, University of Amsterdam, Netherlands
Border temporalities: The space-time topology of interoperability and situational awareness

Charles Heller (Centre for Research Architecture, Goldsmiths College, University of London/ Watch The Med project)
The Topology of the EU’s Maritime Frontier

Tuesday, January 28

Maison des Astronomes, IMéRA (Mediterranean Institute for Advanced Research), Marseille

9:00 – 13:00 Closed door discussion on topology issues

Abstracts

Lauren Martin, Geographer, University of Oulu, Finland
Migration, Law, and Territory: A Topological Approach to Borders

In this talk, I will critically engage with the concept of topological borders, an increasingly cited but under-examined aspect of contemporary mobility control regimes. Borders have evoked both territorial bounding and the state’s prerogative to admit or exclude noncitizens, but this traditional association of borders with sovereign territoriality seems in conflict with empirical research on immigration and border policing. Databanking technologies, risk analysis, and surveillance practices allegedly allow state officials identify and detain dangerous individuals from the population far from the territorial margins of a nation-state. In addition, the interiorization and externalization of immigration policing—and the legal mechanisms that enable them—complicate notions of borders’ fixity. Paradoxical legal categorizations allow migrants to be physically present, yet excluded from legal protections, so that states can hold people simultaneously inside and outside the law. Moreover, new immigration laws sometimes work retroactively, calling not only the “where” but the “when” of migrant’s inclusion/exclusion into question. Topology, or the mathematical study of objects under continual transformation, seems to provide a provocatively nonlinear, open, and fluid alternative to Cartesian, cartographic space, one more capable of dealing with the  complexity of borders’ contemporary spatiality. However, while references to topological borders are rife, it is unclear how borders operate topologically. My aim is to refine and clarify a topological approach to borders and bordering, and to do so I bring recent conceptions of topological space to bear on immigration policing and border literatures.

Christophe Sohn, Geographer, Public Research Center, CEPS, Luxembourg 
The border assemblage: a conceptual exploration into border’s multiplicity

This paper is an attempt to conceptualize borders multiplicity by mobilizing the theory of assemblage developed by Deleuze and Guattari. The aim is to examine how multiple meanings emanating from various actors constitute a border assemblage and how this heterogeneous grouping of different parts allows us to scrutinize in a new way the changing significance of borders. In the first place, an analytical framework addressing borders multiplicity in terms of structure and agency is elaborated. Based on their enabling or constraining effect over agency, debordering and rebordering processes are interpreted according to four ‘conceptual invariants’. In the second place, the concept of assemblage is mobilized in order to understand how these different meanings that do not form a coherent whole relate one with each other. The border assemblage, conceived as a relational approach to borders multiplicity, makes it possible to unravel the uneven power relations that are both constitutive of and mediated by the border. The theory of assemblage also allows us to take into consideration the non-linear processes of territorialisation and coding that stabilize or disrupt borders ‘identity’. This leads us to consider the notion of ‘topological invariants’. Lastly, a conceptualization of the connections that hold together the disparate elements is undertaken in order to be able to represent a border assemblage in contextuality. Based on discourse network analysis, new ways of mapping real world border assemblages are considered.

Gabriel Popescu, Geographer, Indiana University & IMeRA 
The topological imagination: territorializing mobile borders 

Current attempts to securitize transnational mobility are profoundly altering borders’ relationship to space. If modern political territoriality is built on a geographical imagination that sees space as a rigid object to be divided by linear borders, recently we are witnessing a changing geographical imagination to incorporate a polyvalent perspective that is more in tune with a notion of space defined by mobility and connectivity rather than by proximity and distance decay. Accordingly, we are witnessing the emergence of complementary forms of state borders that, shaped in large part by digital technologies, depart from the norms of territorial linearity by becoming embedded into flows that can travel and be monitored continuously across space. Such articulation of borders changes the way movement through space is organized and how people and places come into contact. This “portal-like” logic of border geography brings people and places together by connecting them directly across space, unlike modern border territoriality that connects them via contiguous state territories. However, just what kind of political territoriality these mobile borders engender remains unclear as the tension between the two geographical imaginations is proving difficult to reconcile in practice. While the network model is often advanced when it comes to representing topological phenomena, this falls short of capturing the more complex dinamics of technologically embedded border flows.

Alessandro Petti, Architect, Decolonizing Architecture Project, Palestine
Lawless lines

When historian and former deputy mayor of Jerusalem Meron Benvenisti famously asked “who owns the ‘width of the line’?” he was referring to the 1949 cease-fire lines between Israel and Jordan. The lines, he wrote, had been drawn on a 1:20,000 scale map by the two military commanders— Moshe Dayan and Abdullah al-Tal. Meeting in an abandoned house in the frontier neighborhood of Musrara in Jerusalem, they laid out a map on the floor. Each drew a line using a different colored grease pencil: Dayan used green, and al­Tal, red. The thickness and softness of the colored pencils resulted in lines that were, generally, three to four millimeters wide. But because the floor under the map was uneven (or perhaps Dayan and al-Tal were a little careless), in some areas of Jerusalem the width of the line became wider.

Before and since then Palestine is traversed by these borderlines that aim to reduce modern geopolitics into a flat Euclidian space. However when these lines encounter reality, fields, olive and fruit orchards, roads, gardens, kindergartens, fences, terraces, homes, public buildings, mosques they produce a different reality.

By investigating the clash of these geopolitical lines onto the space of a house in Jerusalem, a mosque in the village of Burin, southwest of Nablus and in the unfinished and abandond Palestinian Parliament located in Abu Dis, we aim to revel how in Palestine, political spaces are not defined by the fictional partitions extablshed during two decades of “peace agreements”, but operate through legal voids. It is in these lawless lines that the regime manifest its nature but it is also in these extraterritorial dimension of these lawless lines that lays the possibility for tearing apart of the entire system of division.

*Research project developed with DAAR and Nicola Perugini

Anne-Laure Amilhat-Szary, Geographer, University of Grenoble, France
The mobile border hypothesis

Facing a world where the forms and functions of borders do not coincide anymore, we are confronted with a paradoxical episteme: one tendency to see borders everywhere, as they multiply in all kinds of spaces; another tendency to account for their topographical disparition in favour of a world of connections, which abides by complex topological systems. A closer look into the territoriality of borders reveals that the power games engaged across the linear borders have not totally disappeared, transferred into high tech surveillance devices and data basis sets. The mobile border hypothesis allows opens the ground for reflexion on the political impact of new topologies. Does the fragilizing of sovereignty induce the disappearance of the democratic political ideal?

Stephanie Simon, Geographer, University of Amsterdam, Netherlands 
Border temporalities: The space-time topology of interoperability and situational awareness

 This paper focuses on the imaginations of temporal and spatial topology in contemporary border surveillance by considering the push for ‘situational awareness’ and ‘interoperability’ as the prized traits of border surveillance actors and operations. In particular, the paper focuses on the new European external border surveillance program, EUROSUR, which ultimately wishes to foster situational awareness and interoperability by forging alignments between spatially and temporally dispersed elements. The program’s security imaginary resonates with the language of topology in its ambitions to bridge, morph, and blend intelligence from wildly dispersed sources—from undersea sensors to outer space satellites, from European liaisons in Libya to transnational security bodies like FRONTEX—and arranged these disparate pieces in ‘interoperable’ databases and analyzed by ‘seamless’ technological, perceptual, and visual measures. Ultimately the goal is to produce ‘situational awareness’ for border security actors, which envisions a kind of dynamic knowledge of unfolding spaces in real time and the ability to act quickly within them. This paper argues that the ambition for situational awareness rewrites the underlying spatio-temporal logic of border practices in Europe. The topological space-time of situational awareness is to be able to take cues from emergent spaces and their continual transformations and to co-evolve with them in real time. The paper maintains, however, that while this topological imagination produces effects, it does not ultimately replicate its ideal in practice. That is, there is a gap between the topological surveillance imagination and its inability to translate this into practice. This paper explores how the failures and fragilities of the topological translation offer productive inroads for security critique.

Organizers

Gabriel Popescu (Indiana University & IMéRA)
Cedric Parizot (IMéRA, IREMAM, CNRS-AMU)

Partnership

Institut Méditerranéen de Recherche Avancées (IMéRA, AMU), Ecole Supérieure d’Art d’Aix en Provence, PACTE (UJF, CNRS), Isabelle Arvers, La compagnie, lieu de création

Image: DAAR, 2015

La Compagnie, Marseille, 2013-2014

Group show
December 13, 2013 – March 1st, 2014
La compagnie, lieu de création, Marseille

Works by Boats 4 people & Forensic Oceanography, Collectif Daar, Masaki Fujihata, Atelier hypermédia, Nicola Mai, Stephanos Mangriotis, Migreurop and Ken Rinaldo
Curated by Isabelle Arvers and Paul-Emmanuel Odin

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Photographs: Myriam Boyer

The antiAtlas of Borders presents collaborative works between hard sciences researchers, social sciences researchers and artists. It produced two unique transdisciplinary works: Samira, an ethno-fiction by Nicola Mai, filmmaker and ethnographer, and a video game on border crossing, A Crossing Industry, which was created by the hypermedia atelier of the Ecole d’Art d’Aix en Provence under the direction of Douglas Edric Stanley drawing on the fieldwork of the anthropologist Cédric Parizot.

The exhibition at La Compagnie follows the one at the Tapestry Museum, offering multiple levels of engagement: visitors will enter a transmedia documentation space and participate in interactive, artistic and transdisciplinary artworks. They will interact directly with video games, wall images or installations created by international artists: Masaki Fujihata associates computer generated imagery with GPS data in order to represent the topographic and temporal coordinates of borders; Kenneth Rinaldo intersects drones with hoovers in the context of a robotic artwork evoking the intrusion of securitizing technologies into the private domain (an exclusive creation for the antiAtlas). We emphasize the dimensions of engagement and participation in order to mirror and show the degree to which we are all directly concerned by the transformation of borders. The public will have access to interactive maps and will be able to participate in workshops on video game diversions regarding these issues. We are also organizing evening screenings and debates on issues including the border economy, border fictions, the camp of Rivesaltes and many others.

La compagnie – creative space continues an experience of welcoming and creating transdisciplinary exhibitions that travel and cross borders. It offers an exhibition space dedicated to the presentation of contemporary images (past events include large installations by Gary Hill and Thierry Kuntzell and photos by Myr Muratet). The space was renovated by the architect Rudy Ricciotti in 1996.

Works

Ken Rinaldo, Drone Eat Drone: American Scream

DAAR Collective, Decolonizing Architecture, 2012

Boats 4 people & Forensic Oceanography, Watch the Med, 2013

Migreurop, , Carte dynamique des étrangers détenus aux frontières des États, 2012

Stephanos Mangriotis, Europa Inch’Allah, 2009-2010

Nicola Mai, Samira, 2013

Hypermédia workshop, A crossing Industry, 2013

Masaki Fujihata, Field Work@Alsace, 2004 – 2005

Events

Le Camp de Rivesaltes: films by Till Roeskens (2005), Serge Lesquer (2009), Claire Angelini, 2011

Border Economy, film by Lucas Bambozzi, De Outro Lado do Rio/Across the River, 2004

Machinima workshop with Isabelle Arvers et Ahmed El Shaer

Online gallery

This gallery completes and augments the exhibitions with net.art artworks, interactive artworks, pieces from videasts and photographers who deal about the questions raised by the antiAtlas:

Clémence Lehec, Laurent Davin, Street art on the separation wall

Magali Daniaux & Cédric Pigot, Cyclone Kingkrab & Piper Sigma

Magali Daniaux & Cédric Pigot, Arctic tactic

Julie Chansel et Michaël Mitz, La machine à expulser

Patrick Lichty, The private life of a drone

Alban Biaussat, The Green(er) Side of the Line

Romain de l’Ecotais, Au pied du mur

Ben Fundis, Clara Long, John Drew, Border stories

Olga Kisseleva, Arctic Conquistadors

Martin De Wulf, Migrations map

Joana Moll, AZ: move and get shot

L’atelier Limo : Simon Brunel, Nicolas Pannetier and Maya Keifenheim, Border Bistro et Enquete frontalière

Production

Institut Méditerranéen de Recherches Avancées (AMU), Marseille
Ecole Supérieure d’Art d’Aix-en-Provence
Laboratoire PACTE (Université de Grenoble Alpes/CNRS)
Isabelle Arvers, commissaire d’exposition indépendante, Marseille
La compagnie, lieu de création à Marseille

Partnership

Aix-Marseille Université (AMU), Région Provence-Alpes-Côte d’Azur, Réseau Français des Instituts d’Études Avancées (RFIEA), Labex RFIEA+, Centre National de la Recherche Scientifique (CNRS), Euborderscapes (Union Européenne, FP7), Institut de Recherches et d’Études sur le Monde Arabe et Musulman (IREMAM – AMU/CNRS), Laboratoire Méditerranéen de Sociologie (LAMES – AMU/CNRS), Laboratoire d’Économie et de Sociologie du Travail (LEST- AMU/CNRS), Laboratoire d’Études et de Recherche sur le Monde Anglophone (LERMA-AMU), Laboratoire d’Arts, Sciences, Technologies pour la Recherche Audiovisuelle Multimédia (ASTRAM-AMU), Maison Méditerranéenne des Sciences de l’Homme (MMSH), LabexMed, Information Media production, Aviso Events, MarseilleProvence 2013 (MP 2013), ville d’Aix-en-Provence, Organisation Mondiale des Douanes (OMD)

Media Partners

Télérama, Arte, PARIS Art, Culture Science en Provence-Alpes-Côte d’Azur, Journal of Borderlands Studies, Perspectives (journal du RFIEA), L’Espace Politique, Ventilo (journal culturel bimensuel), MCD (Musiques et Cultures Digitales), Digitalarti, Poptronics, Digicult

Magali Daniaux & Cédric Pigot – Cyclone Kingkrab & Piper Sigma

Magali Daniaux & Cédric Pigot
Cyclone Kingkrab & Piper Sigma
Live stream + Micro fictions

We were looking for places where global warming is considered as an opportunity of development when we were struck by an article in Le Figaro describing Kirkenes in the future as the new Singapore !

We decided to go to Kirkenes, north of Norway, at the Russian border along the Barents Sea. This region is a hot spot: with the melt of ice cap there is a new shipping passage to Asia. Kirkenes with a deep see harbor will became a geostrategic point as Singapore. But the difference is that Kirkenes is also full of resources (oil, gas, fish, ore, wood). It’s Also a geopolitical point, the border to Russia is also the border of the Shenghen Space.

We displayed a permanent video station pointing the city and and the harbor. During our stay we wrote a series of 11 texts inspired by the economic and geostrategic issues of the Barents Region copied on the pattern of Facebook event. At the same time Deep Water Horizon was dumping tons of crude in the Pacific ocean. At the end texts became 11 audio stories talking about money, oil and global warming.

“Series of audio tales whose tragic beauty with science fiction scenarios trickles away like a string of Facebook events in a sonic composition against a backdrop of an abyssal groundwater, enigmatic culminations of jingles and samples where the engine of an icebreaker collide with the hysterical laughter of gulls, a few seconds of a radiophonic hit single, the sonar of a whale, sounds of helicopters, the synthetic Victoria… And the beautiful stoic voice of Motto, unravelling the absurd.” Orevo

Since they met, ten years ago, Magali and Cedric’s joint work bears the dual hallmark of experimentation and performance. Their pieces bring together various media and associate elements from opposite ranges, with a taste for connections between Sci-Fi and documentary forms, high-tech engineering and fantasy tales, heavyweight materials and fleeting sensations. Starting with installations and plastic objects, their work soon included experimental actions and more immaterial artistic gestures. Videos, sound art, music, olfactive research, virtual works bordering the digital arts, have formed, this past 3 years, a cycle of works dealing with climate change, economic, politic and geo-strategic issues, urban development and food management.

Streaming : mms://88.84.190.77/cam11

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Magali Daniaux & Cédric Pigot – Arctic Tactic

Magali Daniaux & Cédric Pigot
Arctic Tactic
Radio documentairy : 46 min

Kirkenes, North Norway, Russian border, Festival Barents Spektakel, February 2011, -25°.

The Queen, ministers, ambassadors, politicians, a diplomat, architects, artists, journalists and researchers were present and gave us the map… A sonic immersion into political, economic, geostrategic and urban issues of the contemporary Arctic.

Since they met, ten years ago, Magali and Cedric’s joint work bears the dual hallmark of experimentation and performance. Their pieces bring together various media and associate elements from opposite ranges, with a taste for connections between Sci-Fi and documentary forms, high-tech engineering and fantasy tales, heavyweight materials and fleeting sensations. Starting with installations and plastic objects, their work soon included experimental actions and more immaterial artistic gestures. Videos, sound art, music, olfactive research, virtual works bordering the digital arts, have formed, this past 3 years, a cycle of works dealing with climate change, economic, politic and geo-strategic issues, urban development and food management.

Atelier de Création Radiophonique, France Culture Radio.

Chroniques des mondes possibles, Festival Seconde Nature, Aix en Provence 2013